Our Team:

Founder, Program & Editorial Director: Isa Radojcic

Isa Radojcic is a cultural theorist, artist, author, and curator whose work encompasses theory and process-based research. Driven by anti-hierarchical, immersive approaches and the belief that art can function as a vehicle for spirituality, Isa’s work responds to the dominant political, ethical, and social values of our time.

Her visual work has been featured in spaces including 0-0 LA, Los Angeles Metaphysical Library, The Barker Hanger, ODD Ark LA, and Other Places Art Fair. Her literary and curatorial projects have been featured in spaces including The Underlinings Collective with Sigrid Hackenberg, OOF Books, HowellGreen Fine Art Gallery, Desuetude, and Marmo. She has participated in residencies, including Caldera Arts Center and the Centrum Artists-in-Residence program.

Isa holds a BA in Liberal Arts from The Evergreen State College, an MA in Critical Theory and Creative Research from the Pacific Northwest College of Art, and has pursued advanced PhD studies at The European Graduate School.

As Program & Editorial Director, Isa oversees Marmo’s arts programming and publications, shaping the vision and day-to-day of the space. She hopes to inspire and foster a creative community rooted in connection, experimentation, and critical engagement that supports unique voices and ideas.

Literary Programming Coordinator: Jeff Corey

Jeff Corey is a poet and writer whose work has appeared in The Worcester Review, Whitefish Review, San Pedro River Review, and other literary journals. He works as a freelance writer and editor.

As Literary Programming Coordinator, Jeff organizes poetry and prose readings, facilitates communication between authors, and helps curate the evolving literary landscape of Marmo.

Guest Editor: Tania Colette

Tania Colette B. is an artist based in Seattle. Her work explores the sculptural byproducts of political capitalism and state power. With sculpture, installation, found photography/video, and a broad range of other media, she re-stages sites of social resistance, economic failure, and environmental exploitation in order to examine them from a material vantage point.

Her current projects center on tactics of “sculptural resistance”: barriers and monuments built by protestors in order to circumvent, resist, and critique state violence. She holds an MA in Culture Industry from Goldsmiths, University of London (2020) and a BFA in Sculpture from California College of the Arts (2014).

As Guest Editor, she contributes to Marmo’s publications and arts literature, expanding the dialogue between material practice, resistance, and critical thought.